By Mary Luckhurst, Nadine Holdsworth
Focusing on significant and rising playwrights, associations, and diverse theatre practices this Concise better half examines the major matters in British and Irish theatre for the reason that 1979. Written through prime overseas students within the box, this assortment bargains new methods of puzzling over the social, political, and cultural contexts during which particular facets of British and Irish theatre have emerged and explores the connection among those contexts and the works produced. It investigates why specific matters and practices have emerged as major within the theatre of this period.
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Additional info for A Concise Companion to Contemporary British and Irish Drama (Concise Companions to Literature and Culture)
Endgame. The Betrayal and Fall of Srebrenica: Europe’s Worst Massacre Since World War II. Boulder, CO: Westview Press. Primary reading Brenton, Howard, and Ali, Tariq (1990). Moscow Gold. London: Nick Hern. Churchill, Caryl (1990). Mad Forest. London: Nick Hern. Edgar, David (1990). The Shape of the Table. London: Nick Hern. Edgar, David (1995). Pentecost. London: Nick Hern. 24 Europe in Flux Edgar, David (2001a). The Prisoner’s Dilemma. London: Nick Hern. Greig, David (2002). Plays: 1. London: Methuen.
In total, including applications from non-European countries, asylum applications made to EU countries between 1986 and 1991 rose by 481 per cent (Gregou 2005: 10). 8 In addition to this, during the mid-1990s the EU was heavily engaged in discussion over the process of enlargement – explicitly which nations should and which should not be included in the EU. It is these issues that occupy central positions in the narratives of both Europe and Pentecost. The action of Pentecost (Royal Shakespeare Company, Other Place, 1994) takes place in an abandoned church in a Southeastern European country, only referred to as ‘our country’.
This evokes the idea that while Srebrenica is a factual account, speciﬁcally a verbatim re-enactment, it is an edited and theatricalized version of the original trial. This displacement of the original testimonies into a theatrical context allows Srebrenica to be seen as evidence within itself and thereby represents an important contribution to the debates generated by the EU’s response to the Bosnian conﬂict. Originally, Srebrenica was played as a prologue to the revival of Norton-Taylor’s Nuremberg (1996).
A Concise Companion to Contemporary British and Irish Drama (Concise Companions to Literature and Culture) by Mary Luckhurst, Nadine Holdsworth